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Opera
Opera (; English plural: ''operas;'' Italian plural: ''opere'' (:ˈɔːpere)) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting.〔Some definitions of opera: "dramatic performance or composition of which music is an essential part, branch of art concerned with this" (''Concise Oxford English Dictionary''); "any dramatic work that can be sung (or at times declaimed or spoken) in a place for performance, set to original music for singers (usually in costume) and instrumentalists" (Amanda Holden, ''Viking Opera Guide''); "musical work for the stage with singing characters, originated in early years of 17th century" (''Pears Cyclopaedia'', 1983 ed.).〕 In traditional opera, singers do two types of singing: recitative, a speech-inflected style〔Apel, p. 718.〕 and arias, a more melodic style. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 1800s has been led by a conductor.
Opera is part of the Western classical music tradition.〔Comparable art forms from various other parts of the world, many of them ancient in origin, are also sometimes called "opera" by analogy, usually prefaced with an adjective indicating the region (for example, Chinese opera). These independent traditions are not derivative of Western opera, but are rather distinct forms of musical theatre. Opera is also not the only type of Western musical theatre: in the ancient world, Greek drama featured singing and instrumental accompaniment; and in modern times, other forms such as the musical have appeared.〕 It started in Italy at the end of the 16th century (with Jacopo Peri's lost ''Dafne'', produced in Florence in 1598) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially ''The Marriage of Figaro (Le Nozze Di Figaro), Don Giovanni'', and ''Così fan tutte'', as well as ''The Magic Flute (Die Zauberflöte)'', a landmark in the German tradition.
The first third of the 19th century saw the high point of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a "golden age" of opera, led and dominated by Wagner in Germany and Verdi in Italy. The popularity of opera continued through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neoclassicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso and Maria Callas, became known to audiences beyond the circle of opera fans. Since the invention of radio and television, operas were also performed on (and written for) these mediums. Beginning in 2006, a number of major opera houses began to present live high-definition video transmissions of their performances in cinemas around the world. In 2009, an opera company offered an online download of a complete performance.
==Operatic terminology==
The words of an opera are known as the libretto (literally "small book"). Some composers, notably Richard Wagner, have written their own libretti; others have worked in close collaboration with their librettists, e.g. Mozart with Lorenzo Da Ponte. Traditional opera, often referred to as "number opera", consists of two modes of singing: recitative, the plot-driving passages sung in a style designed to imitate and emphasize the inflections of speech,〔 and aria (an "air" or formal song) in which the characters express their emotions in a more structured melodic style. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action. In some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, recitative, are also referred to as arioso. The terminology of the various kinds of operatic voices is described in detail below.〔General information in this section comes from the relevant articles in ''The Oxford Companion to Music'', by. P.Scholes (10th ed., 1968).〕 During both the Baroque and Classical periods, recitative could appear in two basic forms, each of which was accompanied by a different instrumental ensemble: ''secco'' (dry) recitative, sung with a free rhythm dictated by the accent of the words, accompanied only by ''basso continuo'', which was usually a harpsichord and a cello; or ''accompagnato'' (also known as ''strumentato'') in which the orchestra provided accompaniment. Over the 18th century, arias were increasingly accompanied by the orchestra. By the 19th century, ''accompagnato'' had gained the upper hand, the orchestra played a much bigger role, and Richard Wagner revolutionised opera by abolishing almost all distinction between aria and recitative in his quest for what he termed "endless melody". Subsequent composers have tended to follow Wagner's example, though some, such as Stravinsky in his ''The Rake's Progress'' have bucked the trend. The changing role of the orchestra in opera is described in more detail below.
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